And once the two were entangled with one another, Daphne became more complex. Regé-Jean Page could have generated sexual tension with an old time-y lamp post. After all, Daphne was fairly bland at the beginning of her courtship with the Duke, all doe eyes and dutiful smiles. The flatness of these characters would not be felt as strongly if season 2 had presented another stand out star. Her younger sister, meanwhile, is generally amiable but does not reveal any discernible desires or ambitions. But she possesses few other characteristics outside of her competitiveness. Kate is a mashup of Elizabeth Bennet and Little Women‘s Jo Marsh-the headstrong woman who defies all of Anthony’s patriarchal expectations. Everyone in the love triangle suffers.Īnthony’s staunch refusal to just marry the woman he loves zaps the series of all momentum. But because the show must concoct a reason for the two to stay apart, Anthony, a man who shuns emotion for practically, decides to propose to the sister he does not love, Edwina. Their mutual hate grows into love, and their heated arguments evolve into obvious foreplay. ![]() The writers blatantly model Anthony and Kate’s love story on the relationship between Darcy and Elizabeth in Jane Austen’s Pride and Prejudice. In Bridgerton’s second season, Hastings and Daphne have settled into parenthood-and into the background of the show, as the storyline shifts to focus on a love triangle between Daphne’s brother Anthony (Jonathan Bailey) and the Sharma sisters, the headstrong Kate (Simone Ashley) and the beautiful but bland Edwina (Charithra Chandran). But Page, with his smoldering smile, sold the story’s absurdities. The show did not dwell on the complexities of that encounter-or how the repressed nature of regency England might facilitate such violations-and instead focused on the final reconciliation between husband and wife when they finally agree to have a child. “In relationships, intermittent reinforcement is a push-pull dynamic where you never know when you’ll get love or acceptance or validation.On the page, the story stretched the bounds of credulity and even taste-the young couple’s conflict culminates in a controversial scene in which the Daphne tries to impregnate herself without the Hastings’ consent. It’s emotionally exhausting and bewildering,” he writes. Then at other times, they tear you down, criticising you, making you feel not good enough – and then they put you on a pedestal again. “You might find that your partner builds you up at times, making you feel so good about yourself. This is known as “intermittent reinforcement”, which, psychologist Seth Gillihan notes, is a classic trope of toxic relationships. Or consider when Simon delivers a heartfelt speech about his feelings for Daphne shortly after saying he wants nothing to do with her. Take the time when a heated kiss between them jeopardises Daphne’s social status and just a few scenes later, Simon states he would rather participate in a duel and potentially die than marry her. As Daphne’s feelings towards Simon develop, he ricochets cruelly between fervour and indifference and frequently puts his own needs above hers. Arrogant, self-serving, and never revealing his true feelings, he would be referred to on the modern dating scene is a classic f*** boy. Then there is Simon’s character to consider. The idea is that a fake relationship will benefit them both given that Daphne is keen to attract a husband (being with Simon makes her appear more desirable) and Simon is eager to fend off eager mothers from trying to set him up with their daughters. Set in early 19th-century London, where a wealthy woman’s principal purpose was to marry and a wealthy man’s was to, well, do as he pleases, Bridgerton sees the young and virginal Daphne jump into a faux romance with the brooding Duke of Hastings, Simon. ![]() ![]() But the show’s central romance has come under scrutiny, with viewers accusing it of glamorising toxic relationships. This week, that series is Bridgerton, a glossy Regency-era series based on Julia Quinn’s popular novels (published between 20) that blends Pride and Prejudice with Gossip Girl. ![]() It was only a matter of time until Netflix dropped a new period drama to fill the gaping Downton Abbey-shaped hole in our cultural calendars.
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